2.29.2012

Kate Middleton visits dressmakers who created her wedding dress

The Duchess of Cambridge has made a secret visit to the thank the dressmakers who worked on her wedding dress.
Catherine met the master embroiderers at the Royal School of Needlework at Hampton Court Palace.
The team were part of such a secret operation that they did not know the identity of the bridal dress designer until the day of the wedding.
The lace gown was then revealed to be a Sarah Burton design for fashion house Alexander McQueen.
Satin and Organza Scooped Neckline A-Line Wedding Dress with Crystals And Lace AC175
About 30 members of staff greeted the Duchess during her visit.
A source told the Daily Telegraph: "Catherine was keen to express her gratitude in person to the women who worked so hard on her dress.
"She was very conscious of the pressure that they were under."
School chief executive, Susan Kay-Williams, said: "It was lovely to meet the Duchess of Cambridge and to show her what the Royal School of Needlework does."
The wedding dress was hand stitched using the Carrickmoss lace-making technique.
The embroiderers had to wear gloves and wash their hands every half an hour to keep the lace and thread perfect condition.

2.27.2012

Searching For A Dress

As a designer who works directly with many of her customers, I am witness to a whole range of intimate emotions and experiences. Many of them are beautiful, touching moments. But then there's the difficulty of watching the brides who torment themselves in their search for the perfect wedding dress. Watching a bride's pursuit of her dress is not unlike observing the approach that many people use when searching for their future spouse and soul mate.
Crepe Chiffon One-Shoulder A-Line Sleeveless Wedding Dress with Chapel Train AB8702
A woman may fall in love with the first dress she ever tries on. She may travel far and wide to other boutiques and try on many other dresses but she knows that if she is continually comparing all the other dresses to her love for the first dress, she should purchase the first dress. She's the woman who traveled the world and came home to marry her high school sweetheart.

Sometimes a bride chooses a dress even though there are better choices for her figure and the type of wedding she's planning. She knows in her heart that something is pulling her to choose the dress that will do less for her. In a sense a dress that does not equal her exceptionalness. How many of us settle for someone who's a place holder instead of the fulfillment of a dream?

Sometimes the timing may be off and she may purchase the dress years before her wedding, perhaps before she even meets her husband or thinks of marrying. On the flipside, she may become distraught with anxiety knowing that she only has a few months before her wedding and she has still not found 'The One,' the dress, that is. She's like the woman who hasn't found her husband and worries about the maternal urgings of her biological clock.
There is also the unrequited love of being deeply love with a dress that does not love the bride back. She loves certain features of it, perhaps the clever embroidery, the magnificent beadwork, or the sumptuous Calais lace; but the stiff netting inside draws blood from her hipline and the metal bone pierces her heart like dull tailoring shears, and the bodice is cut so that it suffocates her. Thus, the dress that she loves deceives and wounds her. In fact the dress takes on an even more malicious bearing because the woman still loves it immensely even though it is four times over her already stretched budget, and she is now trying to sell her car because love can make one crazy.

I believe that there is a perfect bridal dress for every bride. In a way, the wedding dress symbolizes or personifies the bride's relationship with her groom. Often brides mingle and endure the winding facades of appointments to find the right dress, the one that she loves now and she has faith that she will love in the future. She takes a risk that it will be perfect at the wedding and years later when looking at her wedding photos with grandchildren. The dress may change in her mind the way fashion and the world changes, but there should be a fidelity and an everlasting love.

Ultimately there is one dress, and one husband, and it is in that definitive decision that it becomes very important and fretful at the same time.

2.26.2012

How those 20st wedding gowns have made Gypsy dressmaker her fortune

Weighing 20 stone or more and covered in mechanical butterflies and flashing hearts, the wedding dresses featured in Big Fat Gypsy Weddings  cost as much as £50,000 and can leave their wearers with scars they regard as a badge of honour.
Dressmaker Thelma Madine, 59, is behind the outlandish creations and has become such a star she has her own spin-off show in the pipeline.
Dubbed the Elizabeth Emanuel of the gypsy world, she is the only designer for traveller brides who want to make a show-stopping entrance.
There is little doubt Thelma is now making a fortune. She began dressmaking 16 years ago after a divorce.
She sold christening outfits at a Liverpool market while claiming benefits and was jailed after being convicted of false accounting in 2001.
The judge accused her of using the money to fund her ‘lavish lifestyle, expensive flat and BMW car’.
‘I did four months but it was the making of me,’ she has insisted. ‘I’m not proud of what I did but I learned when I was inside not to judge. That’s why I’m supportive of travellers.’
After her release, her work became popular with traveller families and eventually she was asked to make a wedding dress with a 200ft train.
Her business took off and she opened her Liverpool shop, Nico’s, now the favoured destination for young gypsy brides-to-be.
‘They all want something better than anyone else’s dress,’ says Thelma.